To continue with the touristy activities from the past couple of days, yesterday I also went to see Joseph and The Amazing Technicolor Dreamcoat. I wasn’t that much into Any Dream Will Do (I watched it, but couldn’t really care less who won), but my mother and sister were, so I had gotten them tickets. We had front row seats on the Upper Circle, certainly not the best, but still not too shabby.

Photograph by Tristram Kenton © The Really Useful Group Ltd 2007

“Wow”. That’s how I came out of this musical. Not a “Wow! That was a great!”, but more of a “Wow. That was… weird.” I’m completely convinced now that Andrew Lloyd Webber wrote this musical when he was high; Joseph and The Amazing Technicolor Dreamcoat is just a bizarre jumble of musical styles strung together as a musical.

I wasn’t familiar with Joseph at all. I kind of know the biblical story and I knew the two main songs from Any Dream Will Do, but for the rest I had never seen or heard anything about it. Those two songs (’Any Dream Will Do’ and ‘Close Every Door’) I actually like, but the rest just felt weird. Let’s put it this way: there’s one song that’s a sort of country & western “yee-ha” song. There’s another song sung with a french accent. Then there’s a Jamaican blues-like song. Another song is sung by a camel and a snake (no, I am not kidding). Then the Pharaoh is literally The King, as in: Elvis. It’s just a strange mix of all different genres. 

Photographs by Tristram Kenton © The Really Useful Group Ltd 2007

And then there’s Lee Mead. For the non-UKers, Lee Mead was the winner of Any Dream Will Do, an American Idol-like tv talent show in search for a new star for on the West End. He plays the titular character Joseph, but unlike the previous talent show winner of How Do You Solve A Problem Like Maria? (Connie Fisher) he doesn’t have to carry the whole musical on his shoulders. The two songs from the tv show are the two songs he gets to sing. Oh, he sings along a little bit in three or four other songs, but it’s not a lot. The narrator for me is the real star of Joseph; she (or in some productions he) sings and act/dances in practically every scene and vocally has the most difficult parts. To be fair though, Lee Mead was great as Joseph and he sang the songs perfectly. I’m just a tad disappointed he didn’t get to do more. 

I am a musical lover, but Joseph and The Amazing Technicolor Dreamcoat just didn’t work for me. This is the first Andrew Lloyd Webber musical I’ve been to, so maybe it’s just his musicals that don’t do it for me (although I do like The Phantom of The Opera songs, even though I’ve never seen an actual production of it).  Don’t get me wrong, I did enjoy myself, especially during the after-finale megamix. It’s just… typically when I like a musical the songs get stuck in my head and I yearn to back in the audience again, seeing and hearing all the songs all over again. Here though that didn’t happen and apart from those two great songs the rest of Joseph is just a bizarre, weird show.

The last couple of days my mother and sister were here to visit me and see London, so I’ve been off doing touristy stuff. Yesterday we went to the Tutankhamun exhibition at the O2 and it’s definitely worth seeing.

Some backstory first though (cause I love talking about myself). I’ve got a bit of a history with Egyptian history. I grew up reading and loving everything about ancient history: Romans, Ancient Greeks, Mayans, Incans, Egyptians, Vikings. To be honest, I didn’t like the history part about it. History is focused on the politics and people, while what I was interested in was all the cultural aspects surrounding those different times. Like the art styles, belief systems, clothes, and other stuff like that (I still love reading myths about the various types of gods; there’s a reason all my hardware is named after a god/goddess). The main reason I wanted to go to the Dutch gymnasium (high school type, if you want to know more about the Dutch education system, there’s a good Wikipedia article) is that you then get Latin and Ancient Greek, plus a great 10 day trip to Rome.

Anyhow, my main love was Egypt. During my second year I studied hieroglyphics as an extra self-defined and prepared course (my school thought some “smart” kids needed more mental stimulation besides the normal easy courses and gave us free reign to whatever extra course we wanted to learn), which, although way more difficult than I at the time had expected, fueled my enthusiasm for all things Egypt even more.

Then for my 16th birthday I finally got to actually go to Egypt for 10 days. I visited Cairo, then took a plane to Aswan and spent a couple of days on a cruise boat to Luxor (only to discover I get very very sea river sick). I got to see a lot of museums, a lot of temple and graves, and of course the Pyramids of Gizeh. I even was contemplating studying Egyptology or Archaeology, but it was my dislike for the politics and actual history that stopped me from choosing that path. That, plus I was practical enough to realise my math and logic skills would be way better suited to computer science (which would also offer much better job opportunities). 

So the Tutankhamun exhibition yesterday was a real treat for me; it kind of re-ignited my passion for the ancient times. You should realise though that Tutankhamun’s death mask and any of the coffins aren’t part of the exhibition. I knew about the death mask (it’s not allowed to leave Egypt anymore), but had expected at least one of the coffins. The other artifacts make up for that though, most of them are gorgeous; my favourite being a golden diadem that was found on the head of King Tut’s mummified body. The quality of some of the pieces is amazing; inlaid stones, intricate details, perfect condition, these objects were buried for more than 2000 years!

The exhibition showcases the life of Tutankhamun and that of his family, explaining the world he was born into. It does a great job of telling a story, without assuming any previous knowledge about it. Unlike some other exhibitions, the artifacts aren’t just put into glass cases in one big giant room and you’re wandering from case to case, not really understanding the context of the objects. Here the exhibition manages to give you the full picture; every room is another chapter of the story and you walk through the exhibition each time learning (and comprehending) parts of Tutankhamun’s life. The atmosphere is mesmerizing and mysterious. The exhibition makes clever use of lighting and shadows, highlighting the artifacts in wonderful manner. There’s a perfect moment right at the start, where you’re suddenly transported to the world of Egypt and it’s secrets. 

For me the £17 entrance ticket was completely worth it and it makes me want to visit Egypt again. Who knows? Maybe next year for holiday?

Episode 68: “Meow. Meow. Meow. Meow. Meow. Meow.” 

Remember that funny animated cat video from a few months back? Since then the creator has made two more just a cute animations. They both remind so much of my own cat!

Interesting links for July 9th through July 17th:

• The man who brings movies to life - Short interview with sound effects genius Ben Burtt, who did the sounds for Star Wars, Indiana Jones and nor Wall-E.
• Bubble Calender - Oh man, I want one of these: it’s a poster-sized calendar with a bubble to pop every day. A bubble wrap poster! How cool is that?
• Twitter Timeline During Zombie Attack - The ttile says it all; what would the updates on Twitter look like if a zombie attack was going on? Some of this stuff is so funny!

Regular readers of this blog know how much I love my Threadless tees. I’ve got 6 of them myself at the moment and have bought 7 as presents for others. And I keep seeing more designs that I want. I’m not typically a t-shirt person, so it’s really the designs that makes me want to buy them. That’s why these new products are perfect for me.

They’ve been around for some time now, but Threadless (teaming up with Blik) offer also wall graphics of a select number of their designs. And most of them are so pretty! Depending on the size and complexity of the design, the price ranges from $30 to $50. It’s not something I could justify buying right now (not with the small flat we have, wouldn’t be worth it), but I can imagine once I have a larger place getting a couple of these.

The wall designs consist (most of the times) out of multiple smaller stickers, so you’re not restricted to arranging them in the same way as the original design. There are a couple designs that are also part of the Re-Stik collection, specially designed so you can use them over and over again (perfect for kids).

The US shop only delivers to US and Canada, but there is also an overseas distributor in the UK. Sadly though, this is more expensive (for instance £40 instead of $45), but it’s better than not being able to get them at all. To see all the designs head on over to the Blik website.